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DTSTART;TZID=America/Chicago:20240615T160000
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DTSTAMP:20260613T212804
CREATED:20240513T232043Z
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SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-06-15/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
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DTSTART;TZID=America/Chicago:20240615T160000
DTEND;TZID=America/Chicago:20240615T180000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010987-1718467200-1718474400@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-06-15/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240609T110000
DTEND;TZID=America/Chicago:20240609T170000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011022-1717930800-1717952400@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-06-09/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240609T110000
DTEND;TZID=America/Chicago:20240609T170000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010986-1717930800-1717952400@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-06-09/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240608T160000
DTEND;TZID=America/Chicago:20240608T180000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011021-1717862400-1717869600@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-06-08/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240608T160000
DTEND;TZID=America/Chicago:20240608T180000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010985-1717862400-1717869600@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-06-08/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240602T110000
DTEND;TZID=America/Chicago:20240602T170000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011020-1717326000-1717347600@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-06-02/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240602T110000
DTEND;TZID=America/Chicago:20240602T170000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010984-1717326000-1717347600@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-06-02/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240601T160000
DTEND;TZID=America/Chicago:20240601T180000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011019-1717257600-1717264800@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-06-01/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240601T160000
DTEND;TZID=America/Chicago:20240601T180000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010983-1717257600-1717264800@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-06-01/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240526T110000
DTEND;TZID=America/Chicago:20240526T170000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011018-1716721200-1716742800@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-05-26/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240526T110000
DTEND;TZID=America/Chicago:20240526T170000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010982-1716721200-1716742800@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-05-26/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240525T160000
DTEND;TZID=America/Chicago:20240525T180000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011017-1716652800-1716660000@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-05-25/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240525T160000
DTEND;TZID=America/Chicago:20240525T180000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010981-1716652800-1716660000@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-05-25/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240519T110000
DTEND;TZID=America/Chicago:20240519T170000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011016-1716116400-1716138000@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-05-19/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240519T110000
DTEND;TZID=America/Chicago:20240519T170000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010980-1716116400-1716138000@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-05-19/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240518T160000
DTEND;TZID=America/Chicago:20240518T180000
DTSTAMP:20260613T212804
CREATED:20240513T232043Z
LAST-MODIFIED:20240513T232043Z
UID:10011015-1716048000-1716055200@ohmyomaha.com
SUMMARY:Black Of Night
DESCRIPTION:The temporary exhibition “Paul Stephen Benjamin: Black of Night” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening night reception is May 18 from 4 to 6 p.m. \nPaul Stephen Benjamin’s practice is an ongoing investigation of blackness through concept\, thought\, and perception. From wordplay with the actual letters that comprise “BLACK\,” to utilizing the expanse of shades of black house paint—including as Nightfall\, Soot\, Ebony Field\, and Black Beauty—to posing the question\, “If the color black had a sound\, what would it be?\,” Benjamin calls attention to the color’s deep historical and social resonance. In addition\, across his practice\, the artist’s work references integral moments in Black history as well as art history. \nIn Black of Night\, Benjamin presents new and recent video installations\, paintings\, text-based work\, and sculpture as conceptual entry points for dialogue around identity\, race\, and patriotism. By continually “documenting” the color black through his multifaceted practice\, he is also deconstructing its meaning—breaking it down to its simplest form and allowing for it to operate as a medium for interpretation and introspection. Focusing on the connotations of the color black in society\, culture and language\, Benjamin incorporates history\, text\, imagery and sound from popular culture\, in turn discussing the absence and presence of color.
URL:https://ohmyomaha.com/event/black-of-night/2024-05-18/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240518T160000
DTEND;TZID=America/Chicago:20240518T180000
DTSTAMP:20260613T212804
CREATED:20240513T231339Z
LAST-MODIFIED:20240513T231339Z
UID:10010979-1716048000-1716055200@ohmyomaha.com
SUMMARY:Flags Of Our Mothers
DESCRIPTION:The temporary exhibition “Raven Halfmoon: Flags of Our Mothers” is at Bemis Center for Contemporary Arts from May 18 through Sept. 15\, 2024. The opening reception is May 18 from 4 to 6 p.m. \nHalfmoon’s practice spans torso-scaled and colossal-sized stoneware sculptures\, with some soaring up to nine feet and weighing over eight hundred pounds. With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art\, Halfmoon interrogates the intersection of tradition\, history\, gender\, and personal experience. \nBorn and raised in Norman\, Oklahoma\, she learned about ceramics as a teenager from a Caddo elder. Working mainly in portraiture\, Halfmoon hand builds each work using a coil method. Her surfaces are expressive and show deep finger impressions and dramatic dripping glazes—a physicality that presences her as both maker and matter. She fuses Caddo pottery traditions (a history of making mostly done by women) with populist gestures—often tagging her work (a reference to Caddo tattooing). \nHer palette is specific and matches both the clay bodies she selects and the glazes she fires with—reds (after the Oklahoma soil and the blood of murdered Indigenous women)\, blacks (referencing the natural clay native to the Red River)\, and creams. Sometimes she stacks and repeats imagery\, creating totemic forms that represent herself and her maternal ancestry while also reinforcing the multiplicities that exist inside all of us. Her works reference stories of the Caddo Nation\, specifically her feminist lineage and the power of its complexities. \nThis exhibition will include a combination of new and borrowed works that vary in size and content from over the last five years. Halfmoon will also be creating some of her largest works to date commissioned by The Aldrich and Bemis Center. The artist’s first museum catalogue will accompany the exhibition. \nRaven Halfmoon is curated by Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, and Rachel Adams\, Chief Curator and Director of Programming at the Bemis Center for Contemporary Arts.
URL:https://ohmyomaha.com/event/flags-of-our-mothers/2024-05-18/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240414T110000
DTEND;TZID=America/Chicago:20240414T170000
DTSTAMP:20260613T212804
CREATED:20240129T172652Z
LAST-MODIFIED:20240129T172652Z
UID:10008352-1713092400-1713114000@ohmyomaha.com
SUMMARY:Reverberations
DESCRIPTION:Paolo Arao makes sewn paintings\, weavings\, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past five years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries. \nThrough the use of textiles\, Arao’s work weaves together a lineage of abstraction that both explore the elastic concept of queerness and reflects his Filipino-American heritage. By centering on a cross-cultural and queer perspective\, the work reconnects patterns and color in textiles from the Philippines and the influence of hard-edge painting\, Op-Art\, and the Pattern and Decoration movement. Arao has said\, “Working with textiles feels like an appropriate material to help soften the geometry and ‘straight’ system of the grid that I’ve been working with throughout the years. Color is vital to my work. I carry color within me. My relationship with color is not passive. It is political\, it is personal\, it is emotional\, it is felt\, and it is in my very being.” \nArao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia)\, David B. Smith Gallery (Denver)\, Western Exhibitions (Chicago)\, and Morgan Lehman Gallery (NYC). \nThe exhibition “Paolo Arao: Reverberations” is on display through April 14\, 2024.
URL:https://ohmyomaha.com/event/reverberations/2024-04-14/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240414T110000
DTEND;TZID=America/Chicago:20240414T170000
DTSTAMP:20260613T212804
CREATED:20240129T172211Z
LAST-MODIFIED:20240129T172211Z
UID:10008297-1713092400-1713114000@ohmyomaha.com
SUMMARY:Neo-Custodians
DESCRIPTION:The exhibition “Neo-Custodians: Woven Narratives of Heritage\, Cultural Memory\, and Belonging” is on display through April 14\, 2024. The exhibit focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy\, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories. Offering unique perspectives that examine concepts around migration\, identity\, and environmental sustainability\, these artists revisit history through the deconstruction of the canon. Reviewing personal and socio-political histories\, as well as world events of the past through the lens of their diverse practices\, they create a reconfiguration of ideas that births something new\, centered on the regenerative properties of fibers. \nThrough their evocative works\, each artist embarks on a journey of uncovering. In doing so\, they carve out a space for both unearthing and rewriting narratives\, acting as custodians of stories which are often buried or uncelebrated. Their deliberate manipulation challenges tradition\, and forges new pathways of understanding. Collectively\, the works create a contemplative space–– one that encourages a thorough reflection on the past in order to gain a better understanding of the present\, and how both coalesce to shape the future. \nExhibiting artists include El Anatsui\, Malene Barnett\, Layo Bright\, Celeste Butler\, Sanaa Gateja\, Enam Gbewonyo\, Eddy Kamuanga Ilunga\, Seydou Keita\, Ron Norsworthy\, Nnenna Okore\, Patrick Quarm\, Latrelle Rostant\, and Yinka Shonibare. \n“Neo-Custodians: Woven Narratives of Legacy\, Cultural Memory\, and Belonging” is curated by Nneoma Ilogu\, Bemis Center’s 2022–2023 Curator-in-Residence.
URL:https://ohmyomaha.com/event/neo-custodians/2024-04-14/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240413T110000
DTEND;TZID=America/Chicago:20240413T170000
DTSTAMP:20260613T212804
CREATED:20240129T172652Z
LAST-MODIFIED:20240129T172652Z
UID:10008351-1713006000-1713027600@ohmyomaha.com
SUMMARY:Reverberations
DESCRIPTION:Paolo Arao makes sewn paintings\, weavings\, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past five years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries. \nThrough the use of textiles\, Arao’s work weaves together a lineage of abstraction that both explore the elastic concept of queerness and reflects his Filipino-American heritage. By centering on a cross-cultural and queer perspective\, the work reconnects patterns and color in textiles from the Philippines and the influence of hard-edge painting\, Op-Art\, and the Pattern and Decoration movement. Arao has said\, “Working with textiles feels like an appropriate material to help soften the geometry and ‘straight’ system of the grid that I’ve been working with throughout the years. Color is vital to my work. I carry color within me. My relationship with color is not passive. It is political\, it is personal\, it is emotional\, it is felt\, and it is in my very being.” \nArao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia)\, David B. Smith Gallery (Denver)\, Western Exhibitions (Chicago)\, and Morgan Lehman Gallery (NYC). \nThe exhibition “Paolo Arao: Reverberations” is on display through April 14\, 2024.
URL:https://ohmyomaha.com/event/reverberations/2024-04-13/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240413T110000
DTEND;TZID=America/Chicago:20240413T170000
DTSTAMP:20260613T212804
CREATED:20240129T172211Z
LAST-MODIFIED:20240129T172211Z
UID:10008296-1713006000-1713027600@ohmyomaha.com
SUMMARY:Neo-Custodians
DESCRIPTION:The exhibition “Neo-Custodians: Woven Narratives of Heritage\, Cultural Memory\, and Belonging” is on display through April 14\, 2024. The exhibit focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy\, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories. Offering unique perspectives that examine concepts around migration\, identity\, and environmental sustainability\, these artists revisit history through the deconstruction of the canon. Reviewing personal and socio-political histories\, as well as world events of the past through the lens of their diverse practices\, they create a reconfiguration of ideas that births something new\, centered on the regenerative properties of fibers. \nThrough their evocative works\, each artist embarks on a journey of uncovering. In doing so\, they carve out a space for both unearthing and rewriting narratives\, acting as custodians of stories which are often buried or uncelebrated. Their deliberate manipulation challenges tradition\, and forges new pathways of understanding. Collectively\, the works create a contemplative space–– one that encourages a thorough reflection on the past in order to gain a better understanding of the present\, and how both coalesce to shape the future. \nExhibiting artists include El Anatsui\, Malene Barnett\, Layo Bright\, Celeste Butler\, Sanaa Gateja\, Enam Gbewonyo\, Eddy Kamuanga Ilunga\, Seydou Keita\, Ron Norsworthy\, Nnenna Okore\, Patrick Quarm\, Latrelle Rostant\, and Yinka Shonibare. \n“Neo-Custodians: Woven Narratives of Legacy\, Cultural Memory\, and Belonging” is curated by Nneoma Ilogu\, Bemis Center’s 2022–2023 Curator-in-Residence.
URL:https://ohmyomaha.com/event/neo-custodians/2024-04-13/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240412T110000
DTEND;TZID=America/Chicago:20240412T170000
DTSTAMP:20260613T212804
CREATED:20240129T172652Z
LAST-MODIFIED:20240129T172652Z
UID:10008350-1712919600-1712941200@ohmyomaha.com
SUMMARY:Reverberations
DESCRIPTION:Paolo Arao makes sewn paintings\, weavings\, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past five years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries. \nThrough the use of textiles\, Arao’s work weaves together a lineage of abstraction that both explore the elastic concept of queerness and reflects his Filipino-American heritage. By centering on a cross-cultural and queer perspective\, the work reconnects patterns and color in textiles from the Philippines and the influence of hard-edge painting\, Op-Art\, and the Pattern and Decoration movement. Arao has said\, “Working with textiles feels like an appropriate material to help soften the geometry and ‘straight’ system of the grid that I’ve been working with throughout the years. Color is vital to my work. I carry color within me. My relationship with color is not passive. It is political\, it is personal\, it is emotional\, it is felt\, and it is in my very being.” \nArao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia)\, David B. Smith Gallery (Denver)\, Western Exhibitions (Chicago)\, and Morgan Lehman Gallery (NYC). \nThe exhibition “Paolo Arao: Reverberations” is on display through April 14\, 2024.
URL:https://ohmyomaha.com/event/reverberations/2024-04-12/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240412T110000
DTEND;TZID=America/Chicago:20240412T170000
DTSTAMP:20260613T212804
CREATED:20240129T172211Z
LAST-MODIFIED:20240129T172211Z
UID:10008295-1712919600-1712941200@ohmyomaha.com
SUMMARY:Neo-Custodians
DESCRIPTION:The exhibition “Neo-Custodians: Woven Narratives of Heritage\, Cultural Memory\, and Belonging” is on display through April 14\, 2024. The exhibit focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy\, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories. Offering unique perspectives that examine concepts around migration\, identity\, and environmental sustainability\, these artists revisit history through the deconstruction of the canon. Reviewing personal and socio-political histories\, as well as world events of the past through the lens of their diverse practices\, they create a reconfiguration of ideas that births something new\, centered on the regenerative properties of fibers. \nThrough their evocative works\, each artist embarks on a journey of uncovering. In doing so\, they carve out a space for both unearthing and rewriting narratives\, acting as custodians of stories which are often buried or uncelebrated. Their deliberate manipulation challenges tradition\, and forges new pathways of understanding. Collectively\, the works create a contemplative space–– one that encourages a thorough reflection on the past in order to gain a better understanding of the present\, and how both coalesce to shape the future. \nExhibiting artists include El Anatsui\, Malene Barnett\, Layo Bright\, Celeste Butler\, Sanaa Gateja\, Enam Gbewonyo\, Eddy Kamuanga Ilunga\, Seydou Keita\, Ron Norsworthy\, Nnenna Okore\, Patrick Quarm\, Latrelle Rostant\, and Yinka Shonibare. \n“Neo-Custodians: Woven Narratives of Legacy\, Cultural Memory\, and Belonging” is curated by Nneoma Ilogu\, Bemis Center’s 2022–2023 Curator-in-Residence.
URL:https://ohmyomaha.com/event/neo-custodians/2024-04-12/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240411T110000
DTEND;TZID=America/Chicago:20240411T210000
DTSTAMP:20260613T212804
CREATED:20240129T172652Z
LAST-MODIFIED:20240129T172652Z
UID:10008349-1712833200-1712869200@ohmyomaha.com
SUMMARY:Reverberations
DESCRIPTION:Paolo Arao makes sewn paintings\, weavings\, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past five years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries. \nThrough the use of textiles\, Arao’s work weaves together a lineage of abstraction that both explore the elastic concept of queerness and reflects his Filipino-American heritage. By centering on a cross-cultural and queer perspective\, the work reconnects patterns and color in textiles from the Philippines and the influence of hard-edge painting\, Op-Art\, and the Pattern and Decoration movement. Arao has said\, “Working with textiles feels like an appropriate material to help soften the geometry and ‘straight’ system of the grid that I’ve been working with throughout the years. Color is vital to my work. I carry color within me. My relationship with color is not passive. It is political\, it is personal\, it is emotional\, it is felt\, and it is in my very being.” \nArao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia)\, David B. Smith Gallery (Denver)\, Western Exhibitions (Chicago)\, and Morgan Lehman Gallery (NYC). \nThe exhibition “Paolo Arao: Reverberations” is on display through April 14\, 2024.
URL:https://ohmyomaha.com/event/reverberations/2024-04-11/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240411T110000
DTEND;TZID=America/Chicago:20240411T210000
DTSTAMP:20260613T212804
CREATED:20240129T172211Z
LAST-MODIFIED:20240129T172211Z
UID:10008294-1712833200-1712869200@ohmyomaha.com
SUMMARY:Neo-Custodians
DESCRIPTION:The exhibition “Neo-Custodians: Woven Narratives of Heritage\, Cultural Memory\, and Belonging” is on display through April 14\, 2024. The exhibit focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy\, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories. Offering unique perspectives that examine concepts around migration\, identity\, and environmental sustainability\, these artists revisit history through the deconstruction of the canon. Reviewing personal and socio-political histories\, as well as world events of the past through the lens of their diverse practices\, they create a reconfiguration of ideas that births something new\, centered on the regenerative properties of fibers. \nThrough their evocative works\, each artist embarks on a journey of uncovering. In doing so\, they carve out a space for both unearthing and rewriting narratives\, acting as custodians of stories which are often buried or uncelebrated. Their deliberate manipulation challenges tradition\, and forges new pathways of understanding. Collectively\, the works create a contemplative space–– one that encourages a thorough reflection on the past in order to gain a better understanding of the present\, and how both coalesce to shape the future. \nExhibiting artists include El Anatsui\, Malene Barnett\, Layo Bright\, Celeste Butler\, Sanaa Gateja\, Enam Gbewonyo\, Eddy Kamuanga Ilunga\, Seydou Keita\, Ron Norsworthy\, Nnenna Okore\, Patrick Quarm\, Latrelle Rostant\, and Yinka Shonibare. \n“Neo-Custodians: Woven Narratives of Legacy\, Cultural Memory\, and Belonging” is curated by Nneoma Ilogu\, Bemis Center’s 2022–2023 Curator-in-Residence.
URL:https://ohmyomaha.com/event/neo-custodians/2024-04-11/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240410T110000
DTEND;TZID=America/Chicago:20240410T170000
DTSTAMP:20260613T212804
CREATED:20240129T172652Z
LAST-MODIFIED:20240129T172652Z
UID:10008348-1712746800-1712768400@ohmyomaha.com
SUMMARY:Reverberations
DESCRIPTION:Paolo Arao makes sewn paintings\, weavings\, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past five years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries. \nThrough the use of textiles\, Arao’s work weaves together a lineage of abstraction that both explore the elastic concept of queerness and reflects his Filipino-American heritage. By centering on a cross-cultural and queer perspective\, the work reconnects patterns and color in textiles from the Philippines and the influence of hard-edge painting\, Op-Art\, and the Pattern and Decoration movement. Arao has said\, “Working with textiles feels like an appropriate material to help soften the geometry and ‘straight’ system of the grid that I’ve been working with throughout the years. Color is vital to my work. I carry color within me. My relationship with color is not passive. It is political\, it is personal\, it is emotional\, it is felt\, and it is in my very being.” \nArao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia)\, David B. Smith Gallery (Denver)\, Western Exhibitions (Chicago)\, and Morgan Lehman Gallery (NYC). \nThe exhibition “Paolo Arao: Reverberations” is on display through April 14\, 2024.
URL:https://ohmyomaha.com/event/reverberations/2024-04-10/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240410T110000
DTEND;TZID=America/Chicago:20240410T170000
DTSTAMP:20260613T212804
CREATED:20240129T172211Z
LAST-MODIFIED:20240129T172211Z
UID:10008293-1712746800-1712768400@ohmyomaha.com
SUMMARY:Neo-Custodians
DESCRIPTION:The exhibition “Neo-Custodians: Woven Narratives of Heritage\, Cultural Memory\, and Belonging” is on display through April 14\, 2024. The exhibit focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy\, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories. Offering unique perspectives that examine concepts around migration\, identity\, and environmental sustainability\, these artists revisit history through the deconstruction of the canon. Reviewing personal and socio-political histories\, as well as world events of the past through the lens of their diverse practices\, they create a reconfiguration of ideas that births something new\, centered on the regenerative properties of fibers. \nThrough their evocative works\, each artist embarks on a journey of uncovering. In doing so\, they carve out a space for both unearthing and rewriting narratives\, acting as custodians of stories which are often buried or uncelebrated. Their deliberate manipulation challenges tradition\, and forges new pathways of understanding. Collectively\, the works create a contemplative space–– one that encourages a thorough reflection on the past in order to gain a better understanding of the present\, and how both coalesce to shape the future. \nExhibiting artists include El Anatsui\, Malene Barnett\, Layo Bright\, Celeste Butler\, Sanaa Gateja\, Enam Gbewonyo\, Eddy Kamuanga Ilunga\, Seydou Keita\, Ron Norsworthy\, Nnenna Okore\, Patrick Quarm\, Latrelle Rostant\, and Yinka Shonibare. \n“Neo-Custodians: Woven Narratives of Legacy\, Cultural Memory\, and Belonging” is curated by Nneoma Ilogu\, Bemis Center’s 2022–2023 Curator-in-Residence.
URL:https://ohmyomaha.com/event/neo-custodians/2024-04-10/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240407T110000
DTEND;TZID=America/Chicago:20240407T170000
DTSTAMP:20260613T212804
CREATED:20240129T172652Z
LAST-MODIFIED:20240129T172652Z
UID:10008347-1712487600-1712509200@ohmyomaha.com
SUMMARY:Reverberations
DESCRIPTION:Paolo Arao makes sewn paintings\, weavings\, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past five years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries. \nThrough the use of textiles\, Arao’s work weaves together a lineage of abstraction that both explore the elastic concept of queerness and reflects his Filipino-American heritage. By centering on a cross-cultural and queer perspective\, the work reconnects patterns and color in textiles from the Philippines and the influence of hard-edge painting\, Op-Art\, and the Pattern and Decoration movement. Arao has said\, “Working with textiles feels like an appropriate material to help soften the geometry and ‘straight’ system of the grid that I’ve been working with throughout the years. Color is vital to my work. I carry color within me. My relationship with color is not passive. It is political\, it is personal\, it is emotional\, it is felt\, and it is in my very being.” \nArao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia)\, David B. Smith Gallery (Denver)\, Western Exhibitions (Chicago)\, and Morgan Lehman Gallery (NYC). \nThe exhibition “Paolo Arao: Reverberations” is on display through April 14\, 2024.
URL:https://ohmyomaha.com/event/reverberations/2024-04-07/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240407T110000
DTEND;TZID=America/Chicago:20240407T170000
DTSTAMP:20260613T212804
CREATED:20240129T172211Z
LAST-MODIFIED:20240129T172211Z
UID:10008292-1712487600-1712509200@ohmyomaha.com
SUMMARY:Neo-Custodians
DESCRIPTION:The exhibition “Neo-Custodians: Woven Narratives of Heritage\, Cultural Memory\, and Belonging” is on display through April 14\, 2024. The exhibit focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy\, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories. Offering unique perspectives that examine concepts around migration\, identity\, and environmental sustainability\, these artists revisit history through the deconstruction of the canon. Reviewing personal and socio-political histories\, as well as world events of the past through the lens of their diverse practices\, they create a reconfiguration of ideas that births something new\, centered on the regenerative properties of fibers. \nThrough their evocative works\, each artist embarks on a journey of uncovering. In doing so\, they carve out a space for both unearthing and rewriting narratives\, acting as custodians of stories which are often buried or uncelebrated. Their deliberate manipulation challenges tradition\, and forges new pathways of understanding. Collectively\, the works create a contemplative space–– one that encourages a thorough reflection on the past in order to gain a better understanding of the present\, and how both coalesce to shape the future. \nExhibiting artists include El Anatsui\, Malene Barnett\, Layo Bright\, Celeste Butler\, Sanaa Gateja\, Enam Gbewonyo\, Eddy Kamuanga Ilunga\, Seydou Keita\, Ron Norsworthy\, Nnenna Okore\, Patrick Quarm\, Latrelle Rostant\, and Yinka Shonibare. \n“Neo-Custodians: Woven Narratives of Legacy\, Cultural Memory\, and Belonging” is curated by Nneoma Ilogu\, Bemis Center’s 2022–2023 Curator-in-Residence.
URL:https://ohmyomaha.com/event/neo-custodians/2024-04-07/
LOCATION:Bemis Center for Contemporary Arts\, 724 S. 12th St.\, Omaha\, Nebraska\, 68102
CATEGORIES:Free,Museums & Attractions
GEO:41.2526269;-95.9323434
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bemis Center for Contemporary Arts 724 S. 12th St. Omaha Nebraska 68102;X-APPLE-RADIUS=500;X-TITLE=724 S. 12th St.:geo:-95.9323434,41.2526269
END:VEVENT
END:VCALENDAR